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Devin intended Just Tryin’ Ta Live to lean more into the music than his humor, alluding in a 2002 interview with MTV to a more “serious riff” going through the album. It had all of the same crude sexual humor that made Devin an outright star on “Fuck Faces” but as the album wore on, it flattened out.
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“I feel like I am no better than anybody else, and sometimes I don’t get the girl at the end.”ĭevin’s previous album, his 1998 debut The Dude, amped up the goofball nature of Fadanuf and packaged it around verses from Scarface, the Odd Squad, and others. “I’ve never considered myself a star,” he told Noisey in a 2017 profile. Houston’s favorite weed head, the guy type-casted for stoner comedy soundtracks, was suddenly a known entity outside of city limits, though not really a household name. Dre tapped Devin for “ Fuck You,” off of Dre’s explosive 2001, plucking him off of shows with Dre protégé Mel-Man. There was Devin on the chorus of “ Fuck Faces,” a sex romp from Scarface’s 1998 album My Homies that evolved into a cult classic. The road towards Devin the Dude’s second solo album, the quixotic and subtly titled Just Tryin’ Ta Live, made it seem like he was being primed for stardom. With dreams of a second Odd Squad record dashed by the label, Devin determined he could be just as good on his own.
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The album crashed and burned later that year, Rap-A-Lot poured its resources into Scarface’s hard-bodied The Diary instead. It was part East Coast boom-bap, part juvenile raps about sex (“Your Pussy’s Like Dope”) and weed (“Rev. The Odd Squad’s sound didn’t come anywhere near the rugged sides of Houston, instead opting for back-of-the-crate samples of Milt Jackson, the Crusaders, and the Five Stairsteps. They were funky class clowns, messing around with samples and instrumentals and delivering only one album, 1994’s rollicking Fadanuf Fa Erybody. He and his group the Odd Squad-a rag-tag trio of misfits turned best friends featuring Jugg Mug and the blind rapper DJ Rob Quest-defied all conventional Rap-A-Lot logic. He didn’t have Scarface’s mystique, Bushwick Bill’s outrageous stage persona, or Big Mike’s blunt delivery. Devin was always “the dude,” another cast member in Rap-A-Lot Records’ long history of colorful characters who never fit hip-hop’s ideal image of a star.